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Upholstery: Re-cover a Drop-in Seat

A dining chair with a worn seat pad is three hours of work away from looking entirely new. Learn to strip, pad, and re-cover a drop-in seat from scratch.

Skill levelComplete beginner
Time needed3–4 hours for a first chair
Starter budget£20–40 for tools and materials
Step 01

What you need to get started

A drop-in seat pad is the ideal first upholstery project. It lifts out, is worked off the chair, and requires no sewing: just cutting, padding, and stapling. The principles transfer directly to more complex work.

A staple gun, electric or pneumatic

£20–45 for a reliable electric staple gun

A heavy-duty staple gun is the primary tool of modern upholstery. Electric staple guns (Ryobi, Workzone) are quieter and easier to control than pneumatic (air-compressor) guns. 10mm staples are the standard for fabric. Do not use a light-duty craft staple gun: it lacks the power to drive staples into hardwood frames.

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A tack remover (ripping chisel)

£5–12

For removing the old fabric and staples before you start. A wide, flat screwdriver can work in a pinch, but a proper tack remover (also called a staple remover or ripping chisel) gets under staples cleanly without damaging the wood.

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Upholstery foam: 50mm depth, medium density

£8–20 depending on chair size

Foam density is measured in kg/m³. For a dining chair seat: 35–40kg/m³ (firm) or 25–30kg/m³ (medium) are appropriate. Cut to the shape of the seat using an electric carving knife or a serrated bread knife. Online retailers (Simply Foam, Foamite) cut to size if you provide measurements.

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Fabric: minimum 140cm wide, at least 0.5m

£8–25 per metre (charity shop, remnants, or fabric suppliers)

Upholstery fabric is heavier than dress fabric: it's made to withstand daily use. Look for fabrics rated for domestic upholstery (15,000+ double rubs on the Martindale test). You'll need the seat dimensions plus 10–12cm wrap allowance on all sides. Canvas, linen, velvet, and medium-weight plain weaves all work well for a first project.

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Wadding (Dacron / polyester wadding)

£3–8 for enough to cover a seat

A thin layer of Dacron wadding wrapped over the foam before fabric softens the look and feel, and prevents the fabric from feeling the hard edges of the foam. One layer of 2oz or 4oz wadding is enough.

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Step 02

Padding systems & fabric: what goes on a seat and why

The layers of a traditional seat pad

1. The base: webbing or a solid plywood base

Traditional seats were built on interlaced webbing (jute or rubber) stretched across the frame. Modern drop-in pads often use a plywood base. If the base is sagging or broken, replace the webbing before adding new padding: the foundation determines the seat's long-term stability.

2. The padding: foam, horsehair, or cotton wadding

Contemporary seats use foam. Traditional seats used animal hair, horsehair, and cotton wadding built up in layers. Both are valid; foam is much easier for a beginner. The shape of the pad (flat, crowned, or deeply padded) is set by the foam profile.

3. The interfacing: Dacron wadding

Wrapped over the foam to soften the visual edge and prevent fabric wear against the foam. Stapled lightly to hold it in place before fabric is applied.

4. The covering fabric

The visible layer. Cut generously (seat dimensions + 12cm all round). Pulled taut and stapled to the underside of the seat board.

Fabric grain and pattern

Always cut fabric with the grain running straight (warp threads parallel to the front edge of the seat). A patterned fabric must be centred on the seat: mark the centre of the pattern on the fabric and the centre of the seat, align them, then cut. A beautifully recovered seat with the pattern running off to one side is a waste of good work.

Warp and weft
Warp threads run along the length of the fabric (parallel to the selvedge); weft threads run across. Warp is the structural thread: cut fabric with warp parallel to the seat front for stability
Selvedge
The finished edge of a fabric roll; the warp runs parallel to this edge
Double rubs
The unit of fabric durability measurement; 15,000+ double rubs suitable for domestic upholstery; 25,000+ for contract use
Pleating
Folding fabric neatly at corners; a properly pleated corner is flat, even, and makes the seat look professional; the skill that most distinguishes experienced from beginner upholstery
Cambric
A thin black cotton fabric tacked to the base of the seat after the main fabric is stapled; covers the underside staples and gives a neat finished appearance
Tack strips
Cardboard or metal strips used to create a straight, crisp edge when attaching fabric along a visible straight line

Step 03

Re-cover your first drop-in seat

  1. Remove the seat pad from the chair frame. Most drop-in pads lift or push out; some are held by screws from below.
  2. Strip the old fabric: Using the tack remover, lever out all staples or tacks on the underside of the pad. Remove the old fabric completely. Inspect the base: is the webbing or plywood sound? Repair or replace if not.
  3. Cut and fit the foam: Trace the seat shape onto the foam. Cut with a serrated knife or electric carving knife, cutting slightly larger than the shape, then trim back. The foam should fit inside the seat frame rebate with a small amount of compression.
  4. Wrap in Dacron: Cut a piece of Dacron 5cm larger than the seat on all sides. Lay the foam (on the seat base) on the Dacron. Pull the Dacron over the foam and staple loosely to the underside, just to hold it in place.
  5. Position the fabric: Cut fabric to seat size plus 12cm all round. Find the centre of the fabric and mark it. Place it face-down on a flat surface. Place the seat pad face-down, centred on the fabric.
  6. Staple the fabric, starting at the centres: Pull the fabric taut over the back edge. Place two staples in the centre of the back edge. Move to the front edge (opposite) and pull taut (firm tension, no wrinkles on the top surface) and place two staples in the centre. Repeat for both sides. You now have 8 staples holding the fabric under tension.
  7. Work outward from the centres: Continue stapling alternately front/back and side/side, working outward from the centre staples. Maintain even tension. Check the top surface regularly for wrinkles and adjust before adding more staples.
  8. Pleat the corners: Fold the corner fabric neatly, using a hospital corner fold or a series of small pleats, pulled taut and stapled. Trim excess fabric if too bulky.
  9. Finish the base: Cut a piece of black cambric 2cm smaller than the seat underside. Fold the edges under and staple all around to cover the raw staples and fabric edges.
  10. Replace the seat pad in the chair. Stand back. Admire a renewed chair that looks like it cost £200 to restore.

The corner is the tell

A well-pleated corner (neat, flat, and symmetrical) is what separates a professional re-cover from an amateur one. Take your time with the corners. Unpick them and redo if they look wrong. Once all the other staples are in and the fabric is taut everywhere else, you have the time to get the corners right.


Step 04

Your pathway to mastery

✓

Beginner: you're here

Week 1–4

Drop-in seat pad. Stripping, foam replacement, fabric cutting and stapling. Neat corners. A finished chair that looks new.

2

Developing

Month 2–6

Fixed seat pads (attached to the frame, not removable). Dining chair backs. Small tub chairs. Piping and welting. Working with webbing and spring repair.

3

Confident

Year 1

Full chair re-upholstery. Traditional stuffing techniques (horsehair, cotton wadding). Hand-stitched edges. Decorative nailing. Buying 'project' chairs from charity shops and markets.

4

Skilled

Year 2+

Sofas. Custom furniture commission work. Deep button tufting. Antique restoration. Running upholstery workshops. Sourcing unusual fabrics from specialist mills.

Best resources

Part ofEarn on the Side·Phase 7: Furniture

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